#MAC MILLER WEEKEND GENIUS FULL#
#MAC MILLER WEEKEND GENIUS MAC#

Mac is pointing out that we live with such skewed values and rarely are able to appreciate one another or even ourselves. We are often so worried about such meaningless things. Why arenРІР‚в„ўt we taking our time? Every now and again, baby, I get high.РІР‚Сњ Throughout the song he ponders whether anyone really cares for him, and peopleРІР‚в„ўs motivations and values. This is the perfect final song and cherry on top for MacРІР‚в„ўs entire discography. The best track on the album is the final song, Once a Day. Perhaps heРІР‚в„ўs saying that somewhere inside of him, he knows that he can escape his depression, but his mind is always overthinking and leading him to dark places. Further, his use of imagery with flat tires and crackling fire provide such vivid and appropriate descriptions of his thought processes. Mac is able to intertwine his feelings of darkness and optimism so elegantly into a single verse. However, he still finds himself in situations where heРІР‚в„ўs РІР‚Сљtrippin,РІР‚Сњ or letting his demons inside - a reference back to Blue World. Here, Mac acknowledges a conscious effort to surmount his depression and take care of his mental health.

#MAC MILLER WEEKEND GENIUS FULL#

РІР‚СљYeah, well I'm just being honest, my conscience ain't doing bad/Because I try to minus the problems that I attract/And half the, time the wheels that's in the back of my mind/Just keep on turning 'til the tires flat and burn until the fire crack/I do not lie, though facts may seem a little far-fetched/That's only 'cause I may be make-believe and full of darkness/When I'm stuck between a rock and hard place/Walk and drop in change inside your empty guitar case/That's charity, um I move carelessly, that's why I'm always trippinРІР‚Сњ In particular, his second verse is reflective of this: One of the songs that best demonstrates the contrast between MacРІР‚в„ўs highs and lows is Hand Me Downs. It also gives the listener a more 1-on-1 feeling with Mac, as if heРІР‚в„ўs talking directly to them.

The minimalist approach in production with use of simple drums, piano, and guitar really emphasize MacРІР‚в„ўs lyrics and his nonchalant and mellow delivery. Mac also takes a much more abstract approach to his music on Circles, wondering his purpose, and whether he will ever be capable of finding or serving it. Listening to these positive, optimistic moments on a posthumous album can be quite unnerving. It seemed like there were clear signs that Mac had gotten past his depression and finally conquered it. The record also portrays MacРІР‚в„ўs mental growth, too, with positive songs like Blue World where Mac seems to be fighting off his demons: РІР‚СљDonРІР‚в„ўt trip, we donРІР‚в„ўt gotta let РІР‚Вem in.РІР‚Сњ Perhaps this is one of the most difficult lines to hear. Even today the album stings to hear due to subject matter like depression, feelings of inadequacy, and especially MacРІР‚в„ўs use of drugs as a coping mechanism. Circles is the sonic culmination of MacРІР‚в„ўs genius and artistry. Though Mac has shown lots of growth over the years, his maturity is most apparent on Circles. He has proven that heРІР‚в„ўs not just another rapper with some clever wordplay and punchlines, but rather an artist that can produce a body of work with complex themes and meaning. This maturity shines through his music with each album heРІР‚в„ўs released. to Circles, we have had the firsthand pleasure of seeing Mac grow before our very eyes, going from that teenage, careless kid to an introspective and refined artist. When looking into the evolution of modern (hip-hop) artists throughout their careers, very few stand out as much as Mac Miller.

Mac miller weekend genius